This painting depicts the Impressionist painter Berthe Morisot, who began working closely with Manet around 1868. Manet painted her portrait several times, at first presenting her in static poses with neatly styled hair. As their relationship grew closer, Manet began portraying her in more momentary, fleeting states. She almost appears to be moving in this portrait, her hair disheveled as she throws a furtive glance to the side. Manets sketchy brushwork creates a daringly unfinished look, as if

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